What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
Our managers hadn't had that kind of success - the record company hadn't we hadn't - and the feeling was that the next record had to be even bigger and if it wasn't it would be some kind of failure.
