So when you go to a set and you just fully trust everybody you know how hard everybody's working you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl ' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
It struck me that working digitally with a small crew I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality.