The prospects for a coherent hilarious and consistent American comedy seem to lessen every year as the poor waterlogged gassy corpse called 'Evan Almighty' proved when it floated ashore recently. So there's a temptation to think too highly of Robin Williams's uneven but occasionally funny 'License to Wed.'
The best history is but like the art of Rembrandt it casts a vivid light on certain selected causes on those which were best and greatest it leaves all the rest in shadow and unseen.