The kind of theater that I do is sort of 'narrative realism ' which I think in the broadest sense is legitimate to say is mainstream. I mean in a certain sense Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.
I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering and really sexy.
