You know when you really connect with the instrument and everything just comes out on an emotional level very naturally through your playing. That's you know a great night. And I think the reason I love touring so much is you're chasing that high around all the time trying to have another good night.
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea but of course I never really much got the chance to do it.