For me titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try they can be really hard to repair. Or worse if the author thinks they pop out perfect but the publishing house does not agree it's difficult to shift gears. And then? Then you go insane.
Acting is fun and I refuse to get involved in the semantics and the politics of strategy and breaking out of something or doing something because you need to do something else. For me it's all about what fuels my soul and if I'm passionate about a screenplay then that's what I'll do next.