When we'd suggested doing it the Theatre Royal management had said 'Nobody wants to see Waiting for Godot.' As it happened every single ticket was booked for every single performance and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
At this stage of my life I would rather try and have some small impact within a company and suffer through those things than make such a big stink that nobody can trust to work with you. It's very important in an environment of a big institution that people don't feel threatened that you're going to expose them in any way.