It's art that pushes against psychological and social expectations that tries to transform decay into something generative that is replicative in a baroque way that isn't about progress and wants to - as Walt Whitman put it - 'contain multitudes.'
Capucci was the biggest schooling I had. It wasn't just about the technical knowledge such as color and volume but also about the secret rules and the beautiful codes of respect between the atelier and the master.
