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There is something about inside information which seems to paralyse a man's reasoning powers.

Imagine a civilisation that's way in advance of us wants to communicate with us and assist us in our development. The information we provide to them must reflect our highest aspirations and ideals and not just be some crazy person's bizarre politics or religion.

Free speech is not to be regulated like diseased cattle and impure butter. The audience that hissed yesterday may applaud today even for the same performance.

If I do a poetry reading I want people to walk out and say they feel better for having been there - not because you've done a comedy performance but because you're talking about your father dying or having young children things that touch your soul.

That poetry survived in its formal agencies finally and that prose survived to get something said.

Written poetry is different. Best thing is to see it in performance first then read it. Performance is more provocative.

I believe that all poetry is formal in that it exists within limits limits that are either inherited by tradition or limits that language itself imposes.

Religious poetry civic poetry lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

Is there any purpose to translating poetry? A poem does not contain information of importance like a signpost or a warning notice.

A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.

I have this pet thing about how global communications are moving so fast now throwing information at you making everything available to you and yet I feel it's leaving us more and more isolated.

In particular the efforts to reestablish peace after the World War have been directed toward the formation of states and the regulation of their frontiers according to a consciously national program.

In all her history from the formation of the federal government until the hour of secession no year stands out more prominently than the year 1858 as evidencing the national patriotism of Virginia.

My grandmother was a kind of Scarsdale New York society woman best known in her day as the author of the 1959 book 'Growing Your Own Way: An Informal Guide for Teen-Agers' - this despite being a person whose parenting style made Joan Crawford's wire hangers look like pool noodles.

We lament the speed of our society and the lack of depth and the nature of disposable information.

The moral virtues then are produced in us neither by nature nor against nature. Nature indeed prepares in us the ground for their reception but their complete formation is the product of habit.

The ground we walk on the plants and creatures the clouds above constantly dissolving into new formations - each gift of nature possessing its own radiant energy bound together by cosmic harmony.

I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.

It's been a transformative period and I really wanted to make music from what I've experienced.

Color is a plastic means of creating intervals... color harmonics produced by special relationships or tensions. We differentiate now between formal tensions and color tensions just as we differentiate in music between counterpoint and harmony.

Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music and there's no pomp and circumstance to the performance. There's no like 'I'll be the rock star you be the adulating fan.'

The absolute transformation of everything that we ever thought about music will take place within 10 years and nothing is going to be able to stop it. I see absolutely no point in pretending that it's not going to happen. I'm fully confident that copyright for instance will no longer exist in 10 years.

I think what made it difficult for people to get and still makes it difficult for people to get is the theatrical nature of the work and the fact that my music doesn't exist without the performance-art element.

Why do musicians give so much time to charitable causes? The most humanitarian cause that we can give our time to is the creation and performance of music itself.