I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
When I hit a block regardless of what I am writing what the subject matter is or what's going on in the plot I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish so I read it translation. But I always go back to Neruda. I don't know why but it calms me calms my brain.
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946 when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met principally because she disliked the Museum of Modern Art.