So when you go to a set and you just fully trust everybody you know how hard everybody's working you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl ' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.