I haven't deliberately set out to play the blonde bombshell in my movies. In fact it's probably been quite the opposite. After the success of The Mask I wasn't offered all that many blonde bombshell parts to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.
Imagine it's 1981. You're an artist in love with art smitten with art history. You're also a woman with almost no mentors to look to art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country a restricted and exclusionary domain that spoke a private language.