In their heyday the Pet Shop Boys were the Interpol of the Eighties dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now not retro-worshipped in the manner of Depeche Mode New Order or The Cure but you can hear the reason why - these guys are too sad.
I think there are unseen powers who don't want pop music to be anything other than glorified Madonnas.
Our music's kind of about taking something ugly and making it beautiful.
I still absolutely love 'The Sound of Music' and anything with Julie Andrews in it.
I didn't think it was fair to my music to label me as the daughter of somebody - I didn't think it described me very well and I didn't think it had anything to do with my music.
I genuinely don't feel that anything that's been written or said about me has overshadowed my music and that's the most important thing as far as I'm concerned.
I just want to keep making music recording and trying different things. I don't want to do the same thing all the time.
I've been told the weirdest things: 'Yeah I love taking a bath to your music!' or 'I gave birth to my daughter while listening to your music.'
I think maybe because of the kind of music I sing people want to believe you're a diva. They can't believe after eight years and eight albums you're still relatively sane. I feel like they almost want me to throw something at somebody.
When I moved to New York I fell head over heels back into country music and probably 'cause I missed something about Texas.
Nobody was listening when I learned how to play music. But there's something about being on stage talking to the audience looking at them and smiling that's always been difficult for me. I'm a lot more comfortable now but there are still moments of awkwardness.
I sing a mixture of everything from opera folk music Broadway. It's a mix of things.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
The considerations of a corporation especially now have nothing to do with art or music.
You listen to a piece of music and it will remind you of something - it might make you happy it might make you sad but it is very emotive. And I think that Duran Duran have always understood that.
Music is a language and different people who come along are each using that language to do something different but all coming at it in a similar vein inasmuch as it's always community based and for the most part nonprofit. Most bands don't ever come within a mile of profit - clearly these people are not playing music to make money.
Also because people like to multitask in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise but leave your brain free to do something else.
I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
I don't write poems and put them to music. Just let things flow.
Negro music and culture are intrinsically improvisational existential. Nothing is sacred. After a decade a musical idea no matter how innovative is threatened.
I think the difficult thing is the transition between TV competition series and going into the actual music industry. There still seems to be a slight disconnect there.
I always preferred to hang out with the outcasts 'cause they were cooler they had better taste in music for one thing I guess because they had more time to develop one with the lack of social interaction they had!
What makes my approach special is that I do different things. I do jazz blues country music and so forth. I do them all like a good utility man.
I've programmed myself musically to come up with love-feeling tracks that are romantic sexy but classy all in one. And that's the challenge. Once I create that music then the lyrical content starts to come - you know the stories and things like that.
Music's been around a long time and there's going to be music long after Ray Charles is dead. I just want to make my mark leave something musically good behind. If it's a big record that's the frosting on the cake but music's the main meal.