Yet it ought to be obvious that good music generally occupies a higher plane that mere politics. Great writers can express moods through melody and capture experiences we share most powerfully - love lust longing joy rage fear triumph yearning and confusion.
I was set free because my greatest fear had been realized and I still had a daughter who I adored and I had an old typewriter and a big idea. And so rock bottom became a solid foundation on which I rebuilt my life.
The reserve of modern assertions is sometimes pushed to extremes in which the fear of being contradicted leads the writer to strip himself of almost all sense and meaning.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain Earnest Hemingway Jack London Harriett Beecher Stowe Pearl Buck Charles Dickens Rudyard Kipling Alfred Lord Tennyson to name a few.
I think there are a lot more writers who are actors than you know they just don't have roles on famous TV shows that you recognize.
Being famous as a writer is like being famous in a village. It's not really any very heady fame.
I may not be the most famous songwriter in the world but you know a David Friedman song when you hear it. It took me a long time to appreciate that.
Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values some of the same techniques.
I'm not famous for my back story investigations I'm lucky that I work with good writers and it's usually in the script.
I have a great job writing for 'The Office ' but really all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is like Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.
I imagined being a famous writer would be like being like Jane Austen.
Nashville is one of the greatest places for the best songwriters in the world. It's been fantastic to live there and to raise our family there. It's a great town.
It's not an accident that both my sister and I are writers. Our parents created an accidental Petri dish. My family has great storytellers and I grew up in a very funny conversational house and didn't have television. This small family farm was a bubble world that didn't have much to do with reality.
In times when religious or political faith or hope predominates the writer functions totally in unison with society and expresses society's feelings beliefs and hopes in perfect harmony.
I just can't say enough about the actors having faith and trust in the writers and the writers having faith and trust in the actors.
Writers now are putting total faith in designers at Apple and Amazon. It's almost like a race-car driver having no input into how cars are designed.
In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.
But whatever my failure I have this thing to remember - that I was a pioneer in my profession just as my grandfathers were in theirs in that I was the first man in this section to earn his living as a writer.
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night before the reviews are out. I am more compelled to get back to work than if I had a success.
The most important training though is to experience life as a writer questioning everything inventing multiple explanations for everything. If you do that all the other things will come if you don't there's no hope for you.
But because we've all been readers we know what the experience is like and we hope that what certain writers have given to us we will give to someone.
A twenty-one-year-old writer is likely to be inhibited by a lack of usable experience. Childhood and adolescence were something I knew.
In my experience an appreciative letter from a fellow writer means a lot.
I don't think any good book is based on factual experience. Bad books are about things the writer already knew before he wrote them.