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The kind of theater that I do is sort of 'narrative realism ' which I think in the broadest sense is legitimate to say is mainstream. I mean in a certain sense Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

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Every age yearns for a more beautiful world. The deeper the desperation and the depression about the confusing present the more intense that yearning.