Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
I've got CDs in my car listening all the time for that next song because everybody's looking.
Once you become successful people know where you live the type of house you live in the kind of car you drive the clothes you wear and so it would be patronising to go and talk like a welder. Welding's a mystery to me now. You can't go back your life changes every day.
You can find out anything you want about a car now and especially every bit of information about the price without relying on the dealers.
American stuntmen are smart - they think about safety. When they do a jump in a car they calculate everything: the speed the distance... But in Hong Kong we don't know how to count. Everything we do is a guess. If you've got the guts you do it. All of my stuntmen have gotten hurt.
We're in a giant car heading towards a brick wall and everyone's arguing over where they're going to sit.
A car is useless in New York essential everywhere else. The same with good manners.
Everything in life is somewhere else and you get there in a car.
I rememeber one time we were getting ready to go to South America and everything was packed up and in the car ready to go and I hid and I was crying because I really did not want to go I wanted to play. I did not want to go.
Campaign behavior for wives: Always be on time. Do as little talking as humanly possible. Lean back in the parade car so everybody can see the president.
Life is a gamble. You can get hurt but people die in plane crashes lose their arms and legs in car accidents people die every day. Same with fighters: some die some get hurt some go on. You just don't let yourself believe it will happen to you.
A car for every purse and purpose.
I've always had an inquisitive mind about everything from flowers to television sets to motor cars. Always pulled them apart - couldn't put 'em back but always extremely interested in how things work.
In Japan they have TV sets in cars right now where you can punch up traffic routes weather everything! You can get Internet access already in cars in Japan so within the next 2 to 3 years it's gonna be so crazy!
There was a time in my life when I thought I had everything - millions of dollars mansions cars nice clothes beautiful women and every other materialistic thing you can imagine. Now I struggle for peace.
People in the business will stay with you through drugs and alcohol and divorces and insanity and everything else but you have a failure pal and they don't want to know nothing about you!
My professional life has been a constant record of disillusion and many things that seem wonderful to most men are the every-day commonplaces of my business.
Writing fiction is for me a fraught business an occasion of daily dread for at least the first half of the novel and sometimes all the way through. The work process is totally different from writing nonfiction. You have to sit down every day and make it up.
Every night half an hour before curtain up the bells of St. Malachy's the Actors' Chapel on New York's 49th Street peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.
I would absolutely definitely never sell my wedding pictures to a magazine. I'd like it to be a special day not a photo shoot. And once you've done that your marriage becomes everybody else's business.
The most important decision I've made in business? The choices of people I have around me. When I first started I brought everybody with me my homies from the neighborhood criminals. I just said 'Come on everybody we made it.' Then I had to realize we didn't make it. I made it.
I know from my own experience and from other people in the business that when you come from a place where nobody knew who you were and then there is this sudden shift to where everybody now knows who you are there's an adjustment that you have to make.
The TV business is like the produce section of the market. Today everything is fresh and glistening and firm. And tomorrow when they find a bruise on you they toss you out.
In terms of having a business I wanted to let it go beyond what my personal taste is. Basically I'm in a kilt and a white shirt every day. So you know I don't have a lot of scope and I'm really picky about what I wear.