There are two great forces God's force of good and the devil's force of evil and I believe Satan is alive and he is working and he is working harder than ever and we have many mysteries that we don't understand.

Working with plants trees fences and walls if they practice sincerely they will attain enlightenment.

I can't change history I don't want to change history. I can only change the future. I'm working on that.

We inadvertently bombed the Chinese Embassy. But Clinton now is working very hard. He has sent a letter of apology to the Chinese. And he's also given them a gift certificate for future nuclear secrets.

In particular for younger researchers on whom the future of mankind may depend. We believe that they are working with all the scientific wisdom at their disposal for the preservation of the inheritance of the earth and for the lasting survival of mankind.

The EU is not a country and it's not going to become a country in my view now or ever in the future. It is a group of countries working together.

The next few months are critical to Pakistan's future direction as a democratic state committed to promoting peace fighting terrorism and working for social justice.

I'm working on bringing the instant film camera back as part of the future.

Losers live in the past. Winners learn from the past and enjoy working in the present toward the future.

I mean I'm married first of all to one of if not the most wonderful women in the world. She is everything - funny attractive hard-working she has integrity she loves me to bits.

I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff.

Gotta stay in the gym stay funny stay sharp. I just love working.

Who knew Rob Lowe was funny? On 'Parks and Rec ' we've got some of the funniest comedy writers some of the funniest comedians in the world working there. And if anything we don't just effuse to one another and be like 'Oh Rob Lowe's really funny ' if he wasn't.

Working with Chaplin was very amusing and strange. His films are so funny but working with him I found him to be a very serious man. Whereas the films of Hitchcock are macabre he could be a very funny man to work with always telling jokes and holding court. Of course when I worked with Charlie he was getting older.

What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny they're going to go for and it's just great.

I mean I - it's so funny I am you know I am you know a working woman out in the world but I still live with my parents half the time. I've been sort of taking this very long stuttering period of moving out.

I'm like bursting. I should be working. I don't want to take a break. It's funny on set I don't have to go to the bathroom I don't have anything wrong I'm perfectly fine so through-and-through. I'm not hungry. I'm literally not even in my own body.

'Dirty Rotten Scoundrels' is a good one because it not only turned out I think to be a really funny movie but it was also a delight to shoot. We were in the South of France working with Glenne Headly and Michael Caine and Frank Oz the director - who were just fun.

Working with people the musical part is one thing but the personal part is totally different and just as critical. If the friendship is there and it's a lasting friendship then it will take care of itself.

Watching John Lasseter's films I think I can understand better than anyone that what he's doing is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists and have a certain amount of freedom when they work and they're more like independent filmmakers making their way through big studios.

If they want to hang me let them. And on the scaffold I will shout Freedom for the working class!

I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail while there are younger readers for whom what they write is pure oxygen.

I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.