Much good art got made while money ruled I like a lot of it and hardship and poverty aren't virtues. The good news is that since almost no one will be selling art artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.

It's art that pushes against psychological and social expectations that tries to transform decay into something generative that is replicative in a baroque way that isn't about progress and wants to - as Walt Whitman put it - 'contain multitudes.'

The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.

Yes 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.

There's something pleasing about large well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all I love that more galleries showing more art gives more artists a shot.

Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all the tricks and has nothing to say.

It is a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.

I don't have anything to say about other people's art and their work.

What an artist is trying to do for people is bring them closer to something because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience a thought.

There's a lot of thought in art. People get to talk about important things. There's a lot of sex you know in art. There's a lot of naked women and men and there's intrigue there's fakery. It's a real microcosm of the larger world.

The most seductive thing about art is the personality of the artist himself.

An artist cannot speak about his art any more than a plant can discuss horticulture.

The youth of an art is like the youth of anything else its most interesting period. When it has come to the knowledge of good and evil it is stronger but we care less about it.

People who don't like me talk about it as though I'm trash because I have tattoos. I find that insane because it's 2008 not the 1950s. Tattoos aren't limited to sailors. It's a form of art I find beautiful. I love it.

To me photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.

I don't think about art when I'm working. I try to think about life.

Progressive art can assist people to learn not only about the objective forces at work in the society in which they live but also about the intensely social character of their interior lives. Ultimately it can propel people toward social emancipation.

Even in literature and art no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will nine times out of ten become original without ever having noticed it.

When I make art I think about its ability to connect with others to bring them into the process.

It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.

I think about my work every minute of the day.

I like things that are kind of eclectic when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance where the ancient bangs up against the contemporary. It has a touch of everything. That's my style and that's what my work is about.

I would've been intrigued by being a film director. I would've been intrigued by politics. I thought about architecture.

What's fascinating about D.C. the exteriors are these elaborate structures this gorgeous architecture and beautiful stonework and then you go inside and it's crap-looking - apart from the White House which is beautiful.