Acting is a very personal process. It has to do with expressing your own personality and discovering the character you're playing through your own experience - so we're all different.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you acting with your entire soul.
I've learned through experience of playing different characters some of whom were jerks that when you play a character who is pretentious or obnoxious in any way it's important to knock them down a peg.
We have that illusion that we are 'deciding' what to make a character do in order to 'convey our message' or something like that. But at least in my experience you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
I always considered myself as a character actor. I always try to be versatile to show different sides of human experience.
No characters in 'Stay Close ' including the leads are black and white. I want them to be grey. I think that makes for a much more interesting reading experience something that will stay with you a little bit longer.
In my books I never portray violence as a reasonable solution to a problem. If the lead characters in the story are driven to it it's at the extreme end of their experience.
All observers not laboring under hallucinations of the senses are agreed or can be made to agree about facts of sensible experience through evidence toward which the intellect is merely passive and over which the individual will and character have no control.
The character and history of each child may be a new and poetic experience to the parent if he will let it.
Normally I love to go to the movies and when I see a character portrayed by different actors at different ages it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that.
Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened ambition inspired and success achieved.
People grow through experience if they meet life honestly and courageously. This is how character is built.
Obviously my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
There's a remarkable amount of sexism on TV. When male characters are flawed they're interesting deep and complex. But when female characters are flawed they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
Human education is concerned with certain changes in the intellects characters and behavior of men its problems being roughly included under these four topics: Aims materials means and methods.
I'm a good son a good father a good husband - I've been married to the same woman for 30 years. I'm a good friend. I finished college I have my education I donate money anonymously. So when people criticize the kind of characters that I play on screen I go 'You know that's part of history.'
Education commences at the mother's knee and every word spoken within hearsay of little children tends toward the formation of character.
Education has for its object the formation of character.
Heart and head are the constituent parts of character temperament has almost nothing to do with it and therefore character is dependent upon education and is susceptible of being corrected and improved.
The function of education is to teach one to think intensively and to think critically. Intelligence plus character - that is the goal of true education.
We can bring to characters dark and bright sides that nobody even dreams about.
Perhaps all writers walk such a line. In general - as we all do in our dreams - I believe I put something of myself into all the characters in my novels male as well as female.
All the characters in my books are imagined but all have a bit of who I am in them - much like the characters in your dreams are all formed by who you are.