I always think of the live show first where the song is gonna go in the show. That's why they aren't sad songs. When I play I want to make people happy not sad. It's such a pleasure for me to do what I do and I want other people to feel some form of that pleasure too.
I remember a time when all my fans were crying and sad and going through hell. Now we're trying to uplift each other and accept ourselves for who we are even if nobody else does.
I didn't know my mother had it. I think a lot of women don't know their mothers had it that's the sad thing about depression. You know you don't function anymore. You shut down. You feel like you are in a void.
If I get the forty additional years statisticians say are likely coming to me I could fit in at least one maybe two new lifetimes. Sad that only one of those lifetimes can include being the mother of young children.
They say geniuses mostly have great mothers. They mostly have sad fates.
Nobody understands another's sorrow and nobody another's joy.
Can I see another's woe and not be in sorrow too? Can I see another's grief and not seek for kind relief?
Make the most of your regrets never smother your sorrow but tend and cherish it till it comes to have a separate and integral interest. To regret deeply is to live afresh.
With While You Were Sleeping it was so much fun and such a Cinderella story that I didn't want to do another romantic comedy. I wanted to do the opposite.
What Romantic terminology called genius or talent or inspiration is nothing other than finding the right road empirically following one's nose taking shortcuts.
I love romantic comedy but I think you have to have another idea that you're chasing along with romantic comedy.
In real love you want the other person's good. In romantic love you want the other person.
But other vampire stories? Well no I really haven't read too many and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.
Something like 'Without a Paddle' does really well at the box office and I'm like 'Oh here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
As far as the leading man/romantic lead I'll tell you what I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.
If it's a romantic holiday the only thing I need is my wife. We love quiet and calm places where we can't be disturbed. Neither of us likes being in busy places we would much rather stay in our hotel room and enjoy each other's company.
Well we all start thinking we're going to be Romantic rock stars but then reality hits and you realize no one reads you but other poets.
I'm in the mood for another Moonstruck experience for another romantic comedy.
I wouldn't treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene it's all about the breath mints!
Well there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go there's these observations about romantic love and what it does people and these rotten feelings that rarely are people meaning to do that to each other.
More generally I made an effort to leave out things that weren't relevant to the main narrative themes of the book namely that there were two sides to Steve Jobs: the romantic poetic countercultural rebel on one side and the serious businessperson on the other.
I tend to play strong characters and people just assume that I would want to play romantic comedies which I would love to do but there are other women that do it so great and they maybe couldn't do what I do play the kind of characters that I play.
My husband Sal and I put date nights on the calendar once a week. I know that doesn't sound romantic but otherwise it won't get done.
Even actresses that you really admire like Reese Witherspoon you think 'Another romantic comedy?' You see her in something like 'Walk the Line' and think 'God you're so great!' And then you think 'Why is she doing these stupid romantic comedies?' But of course it's for money and status.