There's a difference between beauty and charm. A beautiful woman is one I notice. A charming woman is one who notices me.

So as I look at transitioning to the communication platforms of the future I see that the beauty of Internet protocols is you get the separation of the layers between service and technology.

The difference between utility and utility plus beauty is the difference between telephone wires and the spider web.

Such discussions help us very little to enjoy what has been well done in art or poetry to discriminate between what is more and what is less excellent in them or to use words like beauty excellence art poetry with a more precise meaning than they would otherwise have.

Beauty set up distance between other people and me. It warped their behavior.

People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.

Beauty is not something you can count on. Usually when people say you are beautiful it is when there is a harmony between the inside and the outside.

Do you know the difference between a beautiful woman and a charming one? A beauty is a woman you notice a charmer is one who notices you.

That attitude does not exist so much today but in those days there was a very sharp distinction between basic physics and applied physics. Columbia did not deal with applied physics.

Certain kinds of speed flow intensity density of attacks density of interaction... Music that concentrates on those qualities is I think easier achieved by free improvisation between people sharing a common attitude a common language.

It is impossible to exaggerate the wide and widening gulf between the American attitude on the Iraq war and the view from our friends across the Atlantic.

The jokes are great but what really matters for a comedian is his performance his whole attitude and the laughs that he gets between the jokes rather than on top of the jokes.

Liberalism is a really old British tradition and it has a completely different attitude towards the individual and the relationship between the individual and the state than the collectivist response of Labour and particularly Old Labour does.

I separated from the Southern Baptists when they adopted the discriminatory attitude towards women because I believe what Paul taught in Galatians that there is no distinction in God's eyes between men and women slaves and masters Jews and non-Jews - everybody is created equally in the eyes of God.

A positive attitude is not going to save you. What it's going to do is everyday between now and the day you die whether that's a short time from now or a long time from now that every day you're going to actually live.

Whenever you're in conflict with someone there is one factor that can make the difference between damaging your relationship and deepening it. That factor is attitude.

Film is a very young art that is still evolving. Soon we shall reach a balance between content and technology.

The greater the decrease in the social significance of an art form the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed and the truly new is criticized with aversion.

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s) I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

The commonality between science and art is in trying to see profoundly - to develop strategies of seeing and showing.

Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.

These days newish art can be priced between $10 000 and $25 000. When I tell artists that a new painting by a newish artist should go for around $1 200 they look at me like I'm a flesh-eating virus.

Any authentic work of art must start an argument between the artist and his audience.

Design in art is a recognition of the relation between various things various elements in the creative flux. You can't invent a design. You recognize it in the fourth dimension. That is with your blood and your bones as well as with your eyes.