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As long as there is rape... there is not going to be any peace or justice or equality or freedom. You are not going to become what you want to become or who you want to become. You are not going to live in the world you want to live in.

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The money is in a different league these days of course but I have special memories of the 60s and 70s which players today don't have. There wasn't the same celebrity attitude and media exposure. We had a bit more freedom.

I'm not going to take this defeatist attitude and listen to all this crap any more from all these people who have nothing except doomsday to predict.

What irritates me is the bland way people go around saying 'Oh our attitude has changed. We don't dislike these people any more.' But by the strangest coincidence they haven't taken away the injustice the laws are still on the books.

I will keep smiling be positive and never give up! I will give 100 percent each time I play. These are always my goals and my attitude.

It was just like a dream. I could have ended up with an album that's not all that different from anything else coming out of Nashville. Mutt made the difference. He took these songs my attitude my creativity and colored them in a way that is unique.

I developed a nutty attitude where I'd think If some guy really loves me he doesn't care if I'm fat. I'd come up with all these stupid reasons why it would be OK to be fat.

I am an anarchist in politics and an impressionist in art as well as a symbolist in literature. Not that I understand what these terms mean but I take them to be all merely synonyms of pessimist.

It's important to debunk the myths of Africa being this benighted continent civilized only when white people arrived. In fact Africans had been creators of culture for thousands of years before. These were very intelligent subtle and sophisticated people with organized societies and great art.

Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.

Because most people are not sufficiently employed in themselves they run about loose hungering for employment and satisfy themselves in various supererogatory occupations. The easiest of these occupations which have all to do with making things already made is the making of people: it is called the art of friendship.

I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.

Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.

When museums are built these days architects directors and trustees seem most concerned about social space: places to have parties eat dinner wine-and-dine donors. Sure these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.

It's great that New York has large spaces for art. But the enormous immaculate box has become a dated even oppressive place. Many of these spaces were designed for sprawling installations large paintings and the Relational Aesthetics work of the past fifteen years.

Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste momentary glitches in an artist's work or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times however these problems mean there's something wrong with the art.

These days newish art can be priced between $10 000 and $25 000. When I tell artists that a new painting by a newish artist should go for around $1 200 they look at me like I'm a flesh-eating virus.

I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'

After a few months in my parents' basement I took an apartment near the state university where I discovered both crystal methamphetamine and conceptual art. Either one of these things are dangerous but in combination they have the potential to destroy entire civilizations.

Those who educate children well are more to be honored than they who produce them for these only gave them life those the art of living well.

Time extracts various values from a painter's work. When these values are exhausted the pictures are forgotten and the more a picture has to give the greater it is.

What's fascinating about D.C. the exteriors are these elaborate structures this gorgeous architecture and beautiful stonework and then you go inside and it's crap-looking - apart from the White House which is beautiful.

You look at the steamboat the railroad the car the airplane - not all of these were invented in the Anglo-American world but they were popularized and extended by it. They were made possible by the financial architecture the capital intensive operations invented and developed by the Anglo-Americans.

I was a student at Columbia College actually in the Architecture school. Paul would drive in from Queens showing me these new songs. I can't remember us working it out.

The aesthetic of architecture has to be rooted in a broader idea about human activities like walking relaxing and communicating. Architecture thinks about how these activities can be given added value.