You know when someone's over-flattering you in a way. You smile but you can't believe it.

People need to understand that the Lauryn Hill they were exposed to in the beginning was all that was allowed in that arena at the time. I had to step away for the sake of the machine. I was being way too compromised. I felt uncomfortable having to smile in someone's face when I really didn't like them or know them well enough to like.

I was walking around legally blind. Now I have 20-20 vision. I can't believe I spent so many years blurry but I think that coincides with how I was feeling. Now I notice if people are watching me but I also smile right back if someone waves which helps.

The man who can smile when things go wrong has thought of someone else he can blame it on.

I'm crazy about Grant: his character his nature his science in fighting and everything else. But I don't like the idea that he never accepted the blame for anything always found someone else to blame for any mistake that was ever made including blaming Prentiss for Shiloh.

Except in very narrow cases where there's breakthrough science that needs patent production worrying about competitors is a waste of time. If you can't out iterate someone who is trying to copy you you're toast anyway.

What I'm working on now - I'm back to fantasy although considering that it's me I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them they were born that way.

Our hope and it's a sad hope is that... well I mean we need a tip. That's why we have such a big reward. We just hope that someone is holding her for her child and that we can you know get her back with a tip.

I had a vocal coach. It's a sad thing but I had to hire someone so that I could get my Australian accent back.

I'm part of the party getting the crowd fired up singing songs pouring drinks whatever it takes to get them to have a good time. When I walk into the meet-and-greet someone's always going to have a story a sad story or a happy story.

I've grown as a person. The dynamics on this set are very demanding because we work a lot of hours it's very sad material so there's always someone upset because it's really heavy stuff.

Elaine is just in pain. I think Elaine has become very very sad woman. She is someone who is in deep need of many hours of analysis and I like to think that I'm not that type of person.

Someone once accused me of being like Eliot Ness. I sad no sir I'm not E.N. but I can promise you that I'm not Al Capone!

Apart from the fact that your physical ability starts to decline I also think someone in their fifties being childlike becomes a little sad. You've got to be careful.

The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is 'It's insane! And as a person I can't do anything!'

The sad thing is most people have to check with someone before they do the things that make them happy. We're all passing through the least we can do is be happy and the only way to do that is by being selfish.

It's sad when someone you know becomes someone you knew.

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom and the next wave isn't a reaction to the reality of that you start losing relatability. In a lot of romantic comedies they throw out the rules of life.

It is really rare to find someone you really really love and that you want to spend your life with and all that stuff that goes along with being married. I am one of those lucky people. And I think she feels that way too. So the romantic stuff is easy because you want them to be happy.

We believe that according the name 'investors' to institutions that trade actively is like calling someone who repeatedly engages in one-night stands a 'romantic.'

We are talking about someone who has lived. It must be honored in every respect. The fictional can take any kind of channel - according to the actor's marriage to the character.

I got into acting because my teachers kept nudging me into it. The power a teacher has to influence someone is so great. I can't think of a profession I have more respect for.

I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.

When I find someone who is worth it I'll be nice and respect that person and put some time in.