The funny thing is that I write and I act a lot about being Jewish but I don't really think about it as a regular person.
People say funny things all the time during really serious moments in life.
People don't realize that I'm really funny and I'm an excellent bridge player.
The key is just to ignore the pain because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat falls down and gets back up it's funny. If they stay down and their jaw is wired shut in the next scene it's really tragic and weird. You have to pretend it doesn't hurt.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
Who knew Rob Lowe was funny? On 'Parks and Rec ' we've got some of the funniest comedy writers some of the funniest comedians in the world working there. And if anything we don't just effuse to one another and be like 'Oh Rob Lowe's really funny ' if he wasn't.
I really don't know what makes a comedian. I think it's a family background and environment. Yet if you put the same ingredients in another person he may never utter a funny line.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama I just try to make it as realistic as possible.
Leno Conan. They are both really funny. They really know how to land one.
I think when you do comedy you play by a different set of rules. No one really wants you to be in that good shape. Being in good shape implies a level of vanity that isn't necessarily funny.
I think 'Saturday Night Live' starting in the 1970s really gave women an outlet to be funny. A lot of those women went on to have film careers from Kristen Wiig now to Tina Fey and Gilda Radner.
What was really funny is that as I got older all those guys who called me a sissy in junior high school wanted me to be their best friend because they wanted to meet all the girls that I knew in figure skating.
The misconception is that standup comics are always on. I don't know any really funny comics that are annoying and constantly trying to be funny all the time.
It's really funny because the same people who loved me as Stringer Bell were the same people that were watching 'Daddy's Little Girls' literally in tears.
See I don't really go after girls. Most of the girlfriends I've had have come after me. So it's really funny when girls get offended because I don't hit on them.
What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny they're going to go for and it's just great.
But I think Kiss Kiss Bang Bang really got that thing where if a movie reads really funny and then has some dramatic or violent or sinister stuff in it you can't forget that primarily it has to be even funnier than you read it or that other stuff doesn't work.
I don't really have a type of guy I like. It's just like nice guys cute boys I mean ones that are funny.
I've never really understood that. It's a funny thing people sometimes accuse us of condescending to our characters somehow-that to me is kind of inexplicable.
I really wanted to just be a musician. I didn't want to be anything else but I was funny and all that.
You know what? I never really factor Hollywood into anything. I'm a black actor so I can't really control what Hollywood thinks. I gotta go do my thing and my jokes have got to be funny. Whatever I do has got to be great.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it but I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
TV is easier: it's all planned out for you and the audience is there to see a show and they are all pumped up but when you are in a comedy club you have to be really funny to win them over.
No writing musicals is the hardest thing in the world. And it was really funny because I remember when the South Park movie came out there were some critics that said 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'