I think it's science and physics are just starting to learn from all these experiments. These experiments have been carried out hundreds and hundreds of times in all sorts of ways that no physicist really questions the end point. I think that these experiments are very clearly telling us that consciousness is limitless and the ultimate reality.
What's different here is that we have now technologies that allow these life science companies to bypass classical breeding. That's what makes it both powerful and exciting.
Growing up in the '70s and '80s science fiction and especially fantasy had such a stigma attached to them. I felt so punished and exiled for being devoted to these things.
What business has science and capitalism got bringing all these new inventions into the works before society has produced a generation educated up to using them!
True science is never speculative it employs hypotheses as suggesting points for inquiry but it never adopts the hypotheses as though they were demonstrated propositions.
The grand aim of all science is to cover the greatest number of empirical facts by logical deduction from the smallest number of hypotheses or axioms.
We seem to have a compulsion these days to bury time capsules in order to give those people living in the next century or so some idea of what we are like.
I was so sad from losing two of my dogs and my mother. I had this vision of all these animals sitting behind bars. They had no control and were scared. That's why I got into fostering and adopting animals out.
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them like the premieres and the screenings.
I never get scared making these kinds of movies because it's all make-believe but I did cry when I saw the finished version of Man On Fire because it is so sad.
I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.
I've never met a woman who thinks they've got a good enough figure - however perfect they look - which is sad because no one else can see these perceived flaws they're entirely internal.
I was a very good girl for a long time that's what really drew me to acting. The stage was the perfect place to be outrageous to be sad to be angry to be all these different things.
The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is 'It's insane! And as a person I can't do anything!'
Of these years nought remains in memory but the sad feeling that we have advanced and only grown older.
For all sad words of tongue and pen The saddest are these 'It might have been'.
It's harder and harder to make a well-done romantic comedy these days because the conventions have been so played out.
After these three novels I gave up writing novels for a time I was dissatisfied with romantic doom yet didn't see much way around it.
I try to speak of a love that not necessarily romantic. I think there is so much love between people and so much love people want to give but it's harder and harder these days to show that to celebrate that you know?
Well there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go there's these observations about romantic love and what it does people and these rotten feelings that rarely are people meaning to do that to each other.
I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams and he would always sing these neat romantic songs.
So many women today have become so focused on their children they've developed these romantic entanglements with their children's lives and the husbands are secondary. They're left out. And the romantic focus is on the children.
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
Even actresses that you really admire like Reese Witherspoon you think 'Another romantic comedy?' You see her in something like 'Walk the Line' and think 'God you're so great!' And then you think 'Why is she doing these stupid romantic comedies?' But of course it's for money and status.