I think we're the only jokeless show on television. I mean really we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.

You can learn more from the lows than the highs. The highs are great but the lows make you really look at things in a different way and want to improve. Every player will have both in their careers and I have but what you get is that experience which is so important to perform at your best.

While I was trying to save money to go to the National Institute of Dramatic Art in Australia I ended up getting all of this experience which meant that by the time I had enough money in the bank to go to school I didn't really need to go to school anymore.

But in the back of my mind I've always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie if it's done really well. And so that aspiration is always it for me if I have the opportunity to do it.

I think it's really really important to mix it up as an actor to try to get as much kind of varied experience as you can not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.

Film is such a bizarre vehicle for acting. It's such a bizarre experience. I don't think you ever really get familiar with it. If you do get familiar with it you're probably not that good anymore.

People were being so mean as a result of my ability - a gift really. So I think that's what makes me fight harder to provide an option to aspiring kids or artists. I wouldn't want anyone to go through what I went through... to see a little girl or a little dancer experience such unnecessary rejection.

Do I ever think Gossip will be really massive in America? No I don't think it'll happen - and that's fine. It's kind of nice because I get to experience everything at once. I get to come home and it not be weird like in Paris or something. It is nice to be completely anonymous.

I think newspapers shouldn't try to compete directly with the Web and should do what they can do better which may be long-form journalism and using photos and art and making connections with large-form graphics and really enhancing the tactile experience of paper.

In fact the experience at Oxford has really helped me later in life.

For me titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try they can be really hard to repair. Or worse if the author thinks they pop out perfect but the publishing house does not agree it's difficult to shift gears. And then? Then you go insane.

I think generally I'm kind of interested in subjective experience what goes on inside someone's head that being all they really know of the world.

I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin so you try to make the films really tactile.

Some of us are interested in directors but really the vast majority of us are interested in actors. You experience the films through the actors so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.

What is truth? Truth doesn't really exist. Who is going to judge whether my experience of an incident is more valid than yours? No one can be trusted to be the judge of that.

I want people to think of me as a nice person. I really am so blessed. All of this has been a great experience and I thank the American public so much for putting me in this position. I appreciate every second of it.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.

I really do love Diana Ross I grew up listening to her records. I grew up in a little town in Mexico so while we got the music we never got the experience of watching her.

I remember when I was 33 or 34 it was devastating because I realized I wasn't a kid anymore. The great thing about 40 was that I really felt like I had life experience and knew what I was doing now.

If you've got a piece and you can feel the person who's going to direct it is really made for it if it's really special for them then it's going to be a better-than-usual experience.

And we're seeing a higher level of consciousness and many more opportunities for people to challenge their present ways of thinking and move into a grander and larger experience of who they really are.

With 'Good Will Hunting ' Miramax made certain the recruited audience wasn't expecting to laugh at Robin Williams like they normally do. From my limited experience you can really blow test screenings by conducting them in the wrong way.

In high school I was on the youth advisory council for the Mayor's Office of Los Angeles and that was kind of my first experience in the bureaucratic system. We tried to get things done and nobody was really interested in getting anything done.

Anyone who teaches knows that you don't really experience a text until you've taught it in loving detail with an intelligent and responsive class.