The game in beauty is changing so much if your product isn't high tech or can't make a unique performance claim - plump your lips reduce your lines look glossy and stay on for 24 hours - you can't go to market today. I'm not just talking about a $20 lipstick but a $5 lipstick!
What I like about cities is that everything is king size the beauty and the ugliness.
Beauty comes from a life well lived. If you've lived well your smile lines are in the right places and your frown lines aren't too bad what more do you need?
Who knows better than artists how much ugliness there is on the way to beauty how many ghastly mortifying missteps how many days of granitic blockheadedness and dismaying ineptitude there is on the way to accomplishment how partial all accomplishment is how incomplete?
It is very necessary to have markers of beauty left in a world seemingly bent on making the most evil ugliness.
Ugliness is in a way superior to beauty because it lasts.
Abstraction brings the world into more complex variable relations it can extract beauty alternative topographies ugliness and intense actualities from seeming nothingness.
A lot of us grow up and we grow out of the literal interpretation that we get when we're children but we bear the scars all our life. Whether they're scars of beauty or scars of ugliness it's pretty much in the eye of the beholder.
Loneliness adds beauty to life. It puts a special burn on sunsets and makes night air smell better.
It is cruel you know that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony.
Beauty is variable ugliness is constant.
A thing of beauty is a joy forever: its loveliness increases it will never pass into nothingness.
Almost all institutions own a lot more art than they can ever show much of it revealing for its timeliness genius or sheer weirdness.
Great art is as irrational as great music. It is mad with its own loveliness.
Beauty in art is often nothing but ugliness subdued.
First there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament but are clearly revealed a charm felt in Japanese architecture.
I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it getting the story and structuring it. Not the tweaking of lines.
The frightening thought that what you draw may become a building makes for reasoned lines.
Color in certain places has the great value of making the outlines and structural planes seem more energetic.
Good satire comes from anger. It comes from a sense of injustice that there are wrongs in the world that need to be fixed. And what better place to get that well of venom and outrage boiling than a newsroom because you're on the front lines.
Anger is a manifestation of a deeper issue... and that for me is based on insecurity self-esteem and loneliness.
That's an amazing feeling to walk onstage and you're not thinking about anything you're not thinking about your lines or what you're supposed to do - your body your brain knows so there's freedom. There's not fear there's not nerves.
It was really fun being in Tara's trailer working on my lines. Tara is such an amazing actress. She's so good at what she does. I learned a lot from watching her.
We cannot know the whole truth which belongs to God alone but our task nevertheless is to seek to know what is true. And if we offend gravely enough against what we know to be true as by failing badly enough to deal affectionately and responsibly with our land and our neighbors truth will retaliate with ugliness poverty and disease.