I don't see music as working.

Once I started working with generative music in the 1970s I was flirting with ideas of making a kind of endless music - not like a record that you'd put on which would play for a while and finish.

If people take anything from my music it should be motivation to know that anything is possible as long as you keep working at it and don't back down.

My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.

All that running around in my underwear put money in my pockets. I can focus on working in interesting movies without having to worry about supporting myself.

I'm always working on stuff. But they never materialize. I'm always working on movies and TV shows.

To be honest I don't enjoy watching movies much when I'm working. They tend to fall apart on me a bit.

I crave working on those small independent movies because I love going to see those myself.

Making movies is difficult and you get disorientated sometimes - even when you're working with fantastic talent.

But then I go through long periods where I don't listen to things usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.

I'm not looking to get away from anything. I like what I've done. I like what I get to do and I enjoy working with my friends. I loved those movies but this is incredible.

I love the movies and when I go to see a movie that's been made from one of my books I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me and I spent a year or a year and a half of my life working on it.

I never enjoyed working in a film.

If I'm on location on some island we usually get up at four in the morning to set up. By seven thirty we're on the beach working until noon then we rest. It's not exactly a vacation.

I have come to understand and appreciate writers much more recently since I started working on a book last fall. Before that I thought golf writers got up every morning played a round of golf had lunch showed up for our last three holes and then went to dinner.

When you awaken some morning and hear that somebody or other has been discovered you can put it down as a fact that he discovered himself years ago - since that time he has been toiling working and striving to make himself worthy of general discovery.

I think I turned to writing really just to wake up in the morning and be a musician and to have something to do and feel like a musician every day even if I wasn't working.

Politics gets me out of bed in the morning It's what really interests me. I'm a competitor but I also feel like I'm contributing whether it's working on health-care policy in the White House or out here in Chicago.

We'd be working in our motel room through the night and I'd come up with an idea at two in the morning and he'd start jumping up and down pacing across the room or whatever.

I'm on VH1 now will be working on ITV's This Morning again from September.

If I'm working on a film I'll do sit-ups for before I shoot. Like 100 in the morning or something.

Throughout my 20s I spent a lot of time just playing and not really working but fortunately for me I continued to get just enough work and have a reason to wake up in the morning. I really empathize with some of my peers who had success in the early years then it dries up and so there's no reason to get up in the morning.

The greatest job I ever had was working on my family farm. Each morning my father would come into my bedroom around 4:30 am and command me to get up and work the fields. I would spend the next two hours before school slopping pigs and cropping tobacco.

The thing with me is if I wake up one morning and I'm not happy working as an actress I'll stop. It's not something I have to do. It's not a vocation.