Search Results For stage In Quotes 249

I'd rather be onstage with a pig - a duet with Jennifer Lopez and me just ain't going to happen.

In 'The Sound of Music,' I was a von Trapp daughter in a white dress with a blue satin sash, and my line was, 'I'm Brigitta. I'm 12, and all I want is a good time.' I got a laugh. And I was so delighted, I laughed, too. Sadly, that's a problem I still have - onstage, I laugh hysterically at how funny I am.

Strangely enough I'm better on a stage. I love that I feel like I blossom in front of a whole bunch of people.

Breast cancer is being detected at an earlier, more treatable stage these days, largely because women are taking more preventive measures, like self-exams and regular mammograms. And treatment is getting better too.

America is at that awkward stage it's too late to work within the system but too early to shoot the bastards.

I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work.

Our great symbol for the Goddess is the moon whose three aspects reflect the three stages in women's lives and whose cycles of waxing and waning coincide with women's menstrual cycles.

If to live is to progress if you are lucky from foolishness to wisdom then to write novels is to broadcast the various stages of your foolishness.

I only did karaoke once in my life. It was with Courtney Love and it was a total disaster. She pulled me on stage in front of 500 people at a wedding. I'd never done karaoke before.

The idea that the rest of the world was somehow being held hostage by the Arab-Israeli conflict once had a minimal basis in reality. In the first 20 years of Israel's existence every Arab country was in an active state of war with the Jewish state.

All truth passes through three stages. First it is ridiculed. Second it is violently opposed. Third it is accepted as being self-evident.

At this stage of my life I would rather try and have some small impact within a company and suffer through those things than make such a big stink that nobody can trust to work with you. It's very important in an environment of a big institution that people don't feel threatened that you're going to expose them in any way.

I had this totally impossible dream of being an actress. Trust me just because I'm lucky enough to be doing this doesn't make any of this less of a pipe dream. And nothing gets my juices flowing like a really great performance. To see someone on stage I get really excited.

When I'm on stage it's a little world I've created where I'm sort of the thing so I have total control over everything that happens. When we're improvising I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

I've worked with a band and it's nice to have someone to travel around with but I didn't like it as well on stage.

Your lost friends are not dead but gone before advanced a stage or two upon that road which you must travel in the steps they trod.

I had no idea of the character. But the moment I was dressed the clothes and the make-up made me feel the person he was. I began to know him and by the time I walked onto the stage he was fully born.

As a teenager you are at the last stage in your life when you will be happy to hear that the phone is for you.

The first stage in a technology's advance is that it'll fall below a critical price. After it falls below a critical price it will tend if it's successful to rise above a critical mass a penetration.

One of the things that has been truly incredible to observe though is the amount of venture investment that has gone into early stage security technology.

Whereas with us - what you hear is what's happening right then and there on the stage - so we don't need no stinking technology.

We humans are an extremely important manifestation of the replication bomb because it is through us - through our brains our symbolic culture and our technology - that the explosion may proceed to the next stage and reverberate through deep space.

Adele Adkins' retro-soul debut '19' was striking less for her songs than for that voice: a voluptuous slightly parched alto that swooped and fluttered like a Dusty Springfield student trying to upstage her teacher or at least update the rules.

IT is mere coincidence that Cooper was born in the year which produced The Power of Sympathy and that when he died Uncle Tom's Cabin was passing through its serial stage and yet the limits of his life mark almost exactly the first great period of American fiction.