I used to work in a fire hydrant factory. You couldn't park anywhere near the place.

If I went to work in a factory the first thing I'd do is join a union.

Before you start some work always ask yourself three questions - Why am I doing it What the results might be and Will I be successful. Only when you think deeply and find satisfactory answers to these questions go ahead.

When I am cast in a movie where I feel that the woman's part is more interesting I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.

A lesser complaint: hair extensions. There are moments on 'All My Children' when half the women actors young and old seem to be afflicted by android Barbie creep. All those thick swatches of lifeless strands clustering lankly round ladies' necks! Like orange tanning spray this is a fashion fad that should be put out of its misery.

Follow the wisdom of the great actor James Cagney you hit your mark you look the other guy in the eye and you tell the truth.

But the war on terror as I have repeatedly said in the past and the Afghan people believe in it in truth is that the war on terror is not in the Afghan villages or homes. Its in the sanctuaries it is in the training grounds its in the motivation factors and the money that comes to it.

You know the period of World War I and the Roaring Twenties were really just about the same as today. You worked and you made a living if you could and you tired to make the best of things. For an actor or a dancer it was no different then than today. It was a struggle.

Strategic thinkers were naturally rattled to find this outsider fooling around with their work. They had been thinking strategically when Reagan was just another movie actor playing opposite a chimpanzee for heaven's sake. They think Reagan is too naive too innocent to grasp the intellectual complexities of cold war strategy.

The most disastrous phenomenon of the current situation is the factor that imperialism is employing for its own ends all the powers of the proletariat all of its institutions and weapons which its fighting vanguard has created for its war of liberation.

Weapons are an important factor in war but not the decisive one it is man and not materials that counts.

I know what I like in other actors: truth. That's the best. It makes you say 'OK I'll go with you on this.'

I think Hollywood has a class system. The actors are like the inmates but the truth is they're running the asylum.

The truth is the Super Bowl long ago became more than just a football game. It's part of our culture like turkey at Thanksgiving and lights at Christmas and like those holidays beyond their meaning a factor in our economy.

Trust is a big word for me. Loyalty and trust for me are everything. It's the core of what I'm about and what the people around me hopefully are about. It's a certain thing that gives you a sense of security. It's the biggest factor in everything I do.

Your crew becomes your family and you trust the director and the other actors on the set and it's a very safe place.

David was the kind of guy who was totally supportive of the actors and instructed the writing staff to trust the actor's instincts since after all it's the actors playing the character.

When I think it's good not to say the truth I don't say anything. I don't like actors in general they lie they are liars trust me.

I worked with creative people who were very demanding of me and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor and that's not to coddle them or to baby them. It's to help them it's to push them.

I find I like to work with a lot of the same actors because I find that there's sort of shorthand there and there is this unspoken trust both ways. They trust me and I trust them. And I know what I'm going to get from them to an extent. It's just fun kind of creating this little family.

When you are a character actor they trust you will go in and give them a full character and leave.

I love actors both my parents were actors and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust it's in the bag - the actors will do everything to satisfy you.

You can't trust actors.

A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes but I like them. It looks like cunning but you try to get extra things from them all the time by stealth by making them feel confident so they trust you and you can push a bit.