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I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when as a nation we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.

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The trouble with movies as a business is that it's an art and the trouble with movies as art is that it's a business.

I'm no longer dependent on the movie business to make a living. So if I want to make movies as other old guys would play golf I can.

You know I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes ' and now it's a real struggle trying to keep storylines and plotlines a secret.

Nowadays it seems more and more like the 'business' in 'show business' is underlined and there are campaigns and it's all part of getting people in to see the movies.

Advertising is a racket like the movies and the brokerage business. You cannot be honest without admitting that its constructive contribution to humanity is exactly minus zero.

The movies are the only business where you can go out front and applaud yourself.

A huge part of acting in movies is appetite. You do your best work when you've got a lot of appetite and you really want to embrace something. When you get tired you don't have that hunger.

My nominee for Best Picture of the year - maybe the best picture ever because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'

There's a lot of great movies that have won the Academy Award and a lot of great movies that haven't. You just do the best you can.

I'd like to make really important movies like American Beauty. I was really proud to be a part of that movie.

Boxing is my real passion. I can go to ballet theatre movies or other sporting events... and nothing is like the fights to me. I'm excited by the visual beauty of it. A boxer can look so spectacular by doing a good job.

It's really interesting with art-movies too but art especially - to see how your attitude toward artists and works and your level of appreciation of them is always shifting and changing over the years.

People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.

I haven't seen Clones which has been during this period when I haven't seen much of anything but I did see Phantom Menace and see my feelings about it - see first of all I think that when you make a lot of movies your attitude about the movies changes.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started I went in with all the hope and best intentions in the world but some films just don't work.

I love doing normal things - movies shopping going out with friends writing reading taking hot bubble baths - that's a big one for relaxation. I also love to go to art and history museums.

Becoming emancipated at 14 my life wasn't normal. I didn't have to go to school so I didn't. I was rebellious by nature. I spent my 20s focusing on my company Flower Films and producing movies. Now that I'm almost 30 I would like to try other things in lie. I'm crazy about photography and I want to take an art history class.

I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.

I didn't grow up thinking of movies as film or art but as movies something to do on a Saturday afternoon.

And then we watched an amazing number of movies from the late '60s and '70s which is my favorite time and we studied their camera movements their stocks the way they lit stuff the colors they used.

I'm no actor. And I wasn't like George Lucas or Spielberg making home movies as a teenager either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.

I want to be like Tom Cruise from 'The Outsiders' and go on and do amazing movies for a long time.

I definitely look up to Meryl Streep because she's been in so many amazing movies and I just think that she's one of the greatest actresses out there. I also look up to Jennifer Lawrence especially knowing her and knowing that she is so awesome and so nice.

I mean the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing in a very special location.