It really lasted the whole game because I was really untouchable unstoppable that game. But it was heightened on one particular play and that was the longest run where everything completely slowed down. My awareness was so keen it was so heightened it was really amazing.

Theatre when it is at its best takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing very vocal and very engaged and that makes theatre very exciting.

I have always had a sense that we are all pretty much alone in life particularly in adolescence.

I have a grim outlook on the world and in particular on humanity. Spent years denying it but I am very misanthropic. And I live alone on a mountain for a reason.

Human beings do not live in the objective world alone nor alone in the world of social activity as ordinarily understood but are very much at the mercy of the particular language which has become the medium of expression for their society.

I know that books I have written will still resonate in 50 years - particularly 'My Sister's Keeper.' It has sold three million copies in the States alone. I strongly feel that as a novelist you have a platform and the ability to change people's minds.

I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.

A lot of music you might listen to is pretty vapid it doesn't always deal with our deeper issues. These are the things I'm interested in now particularly at my age.

English people don't have very good diction. In France you have to pronounce very particularly and clearly and learning French at an early age helped me enormously.

Age is not a particularly interesting subject. Anyone can get old. All you have to do is live long enough.